I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
BOCAFLOJAPower, as it is, has a whole apparatus operating that goes about cutting down, closing doors, so that protests, exercises, platforms, and organizations, such as the Zapatistas, can’t grow further in the barrio.
More Bocafloja Quotes
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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Analyses that through musicality would be able to connect with people who don’t necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
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European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, “Hey, Mumia Abu-Jamal is relevant in the US.
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It’s like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
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I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won’t come from conscious rap.
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We have to remember that the experience of gangsta rap as such in its foundation is an anti-systemic experience primarily.
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And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren’t.
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In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
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There are situations in which a smile, a laugh, a greeting are racist exercises.
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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Racism operates in a lot of ways, and so I live it every day.
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I believe the example of the Zapatistas is a very relevant historical example.
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So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
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Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
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I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
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MTV and the culture industry never are talking about community relevance, hood organization, they aren’t talking about ethical codes, they aren’t talking about forms of political organization, they don’t speak about codes inside the jails. What they talk about are superficial things.
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I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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I believe gangsta rap, as such, in its foundation is simply anti-systemic and transgressive.
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I can’t marry myself to one idea or one form of doing politics or one form of understanding politics.
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What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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