I believe the example of the Zapatistas is a very relevant historical example.
BOCAFLOJAThe racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
More Bocafloja Quotes
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I believe that also it should be stressed and made clear that our antagonistic position is not to say “I don’t like whites” for the simple fact of not liking white people.
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It’s like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
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Racism operates in a lot of ways, and so I live it every day.
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Analyses that through musicality would be able to connect with people who don’t necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
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MTV and the culture industry never are talking about community relevance, hood organization, they aren’t talking about ethical codes, they aren’t talking about forms of political organization, they don’t speak about codes inside the jails. What they talk about are superficial things.
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I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
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Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
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The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country.
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A white leftist Mexican activist isn’t the same in the media as the son of a farmer in Guerrero, they aren’t worth the same.
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Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism.
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They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
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I believe gangsta rap, as such, in its foundation is simply anti-systemic and transgressive.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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I would say it is one of the forms at the idea level, and through the work they have achieved, one of the most dignified historical examples that has happened in the history of the world.
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Power, as it is, has a whole apparatus operating that goes about cutting down, closing doors, so that protests, exercises, platforms, and organizations, such as the Zapatistas, can’t grow further in the barrio.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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There are situations in which a smile, a laugh, a greeting are racist exercises.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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A lot of the exercise of embracing identity as a political affirmation is not just simply parked in the question of skin color or culture, but more it is a political affirmation with all these implications and more.
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We have to remember that the experience of gangsta rap as such in its foundation is an anti-systemic experience primarily.
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I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America.
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
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We should remember what a rapper like Tupac Shakur was doing, to a certain degree, who came from an experience of politicization very close to being a “Panther Baby”.
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