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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”

Bradford Cox

When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
BRADFORD COX

Fire Late Loading Self Too
You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
BRADFORD COX

Acceptance Thinking Validation
I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
BRADFORD COX

Heartbreaking Love Play Pretty
A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
BRADFORD COX

Goal People Song
My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
BRADFORD COX

Looks People Reading
Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
BRADFORD COX

Conscious Memories Really
When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
BRADFORD COX

Feelings Past Smell
There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
BRADFORD COX

Audience Know Learn Musician Shall
I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
BRADFORD COX

Book Song Writing
I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
BRADFORD COX

Interesting Library School
I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
BRADFORD COX

Disrespectful Meaning Peopel Want
I want to build an audience that’s willing to follow us in whichever direction we might choose.
BRADFORD COX

Audience Build Choose
I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.
BRADFORD COX

Solitude Sometimes Strong
You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
BRADFORD COX

Friend Kind Realizing Schedule
I always write the first and last song of an album first, and then the middle just kind of happens.
BRADFORD COX

Album Song Writing
You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
BRADFORD COX

Musician Taste Trying

There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”

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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”

Related Topics

Popular Authors

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