“Michael Jackson was not an artist who comes along once in a decade, a generation, or a lifetime. He was an artist who comes along only once, period… He raised the bar and then BROKE the bar!”

But once I saw them [Jackson 5 during audition], I rushed out with my video camera to start taping them because I knew that they were something so special, mainly because of the lead singer, nine-year-old Michael Jackson. And it was just so obvious to me that he was a star.

The whole purpose of writing a book is to be understood – if other people write about you, they try to guess why you did things, or they hear things from other people.

All artists have runners, people that tell them what to do, business managers, lawyers, these – if they get the right ones, they’re lucky, and if they get the wrong ones, they’re unlucky.

I have this ability to find this hidden talent in people that sometimes even they didn’t know they had.

Motown was about music for all people – white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone.

The world has to change to fit you. And if you stick to your principles, values and morals long enough, it will.

His [Michael Jackson] behavior was weird, but when you get an artist and a genius, many of the geniuses throughout our whole history were weird. And they did weird things because none of us could understand what was on their mind and why they did what they did.

Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car.

I didn’t want to be a big record mogul and all that stuff. I just wanted to write songs and make people laugh.

What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.

Money had never been the main thing for me. It’s the legacy that was important.

I’m a songwriter, that’s what I love.

Don’t judge yourself by others’ standards…have your own. And don’t get caught up into the trap of changing yourself to fit the world.

Today’s business climate is not for me.

I’ve discovered that Motown and Broadway have a lot in common – a family of wonderfully talented, passionate, hardworking young people, fiercely competitive but also full of love and appreciation for the work, for each other and for the people in the audience.

I had bad days on the field. But I didn’t take them home with me. I left them in a bar along the way home.

The desire to be a politician should bar you for life from ever being one.

I’m one of those people that will walk into a bar, and if I wasn’t a comic – because some people know who I am – I would just blend in.

I am invisible in gay bars.

I like to play in the low 70’s. If it gets any hotter than that I’ll stay in the bar!

Membership in the bar is a privilege burdened with conditions.

I’m not confident in social situations; just going up to someone in a bar and saying ‘Hi’ is going to be even more difficult because they won’t know the real me. They will just know me as a fictional person I play on the screen.

The less I talk in bars, write emails, express myself in an emotionally lewd way outside of my songwriting, the more I have to do it through my music.