I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
BERNARDO BERTOLUCCITo explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
More Bernardo Bertolucci Quotes
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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A dolly move is a moral commitment.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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