I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
BERNARDO BERTOLUCCII don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
More Bernardo Bertolucci Quotes
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New York has always embraced me.
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A dolly move is a moral commitment.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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