What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
BERNARDO BERTOLUCCII think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
More Bernardo Bertolucci Quotes
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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A dolly move is a moral commitment.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
BERNARDO BERTOLUCCI