There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
BERNARDO BERTOLUCCII think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
More Bernardo Bertolucci Quotes
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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A dolly move is a moral commitment.
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I left the ending ambiguous, because that is the way life is.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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New York has always embraced me.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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