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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.

Berenice Abbott

The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
BERENICE ABBOTT

Forever Goes Photography Realizing
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT

Photography Space Vision
I didn’t decide to be a photographer; I just happened to fall into it.
BERENICE ABBOTT

Fall Photographer Photography
The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT

Cameras Photographer Preservation
What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
BERENICE ABBOTT

Hangover Looks Photography
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT

Lenses Photography Quality Use
I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
BERENICE ABBOTT

Believe Photography Real
Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT

Documentary Photographer World
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT

Cameras Talking Themselves Way
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
BERENICE ABBOTT

Duck Photography Water
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

Connected Live Photograph Serious
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT

Reality Responsibility Today
Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.
BERENICE ABBOTT

Age Photography Years
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT

Optimism People Photography Real
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.
BERENICE ABBOTT

Art Photography Qualified Years
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
BERENICE ABBOTT

Growing Photography Walks

The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.

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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.

Related Topics

Popular Authors

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