“What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.”

I didn’t decide to be a photographer; I just happened to fall into it.

I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )

Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.

What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.

Photography can only represent the present. Once photographed, the subject becomes part of the past.

None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.

Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.

Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.

What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?

The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.

I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.

Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.

I have yet to see a fine photograph which is not a good document.

There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.

The art is in selecting what is worthwhile to take the trouble about.

I think the important decision for a photographer is to choose a subject that intensely interests him or her.

You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.

None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.

Women like to take their clothes off. I noticed that. Especially in front of a camera. Or a mirror.

I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.

I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.

The camera is no more an instrument of preservation, the image is.

I’m very in love with the fact that the camera is revolted by acting and loves behaviour.

It really is a pleasure to work with someone who you admire. Whatever you do in front of the camera, and I don’t know what it is, but actors have this thing that you recognize someone that makes you better. When you do that, it’s a great feeling.