“How do you paint yellow wheat against a yellow sky? You paint it jet black.”

I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.

The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.

I believe that if it were left to artists to choose their own labels, most would choose none.

A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.

Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.

Forms in art arise from the impact of idea upon material… so that thinking and belief and attitudes may endure as actual things.

An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.

When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.

Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.

Paint what you are, paint what you believe, paint what you feel.

To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.

I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.

It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.

Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.

Now, my knowledge of photography was terribly limited.

I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.

When we sit down to draw or paint the sun’s rays, we generally use yellow because in the morning and the evening with the blue light scattered away so strongly you’re left with a little bit of red and it comes out yellowish.

Drive through a yellow light, and you may be ticketed thanks to a camera tied onto a pole. Everybody’s watching everything. And then sending it out to the world via email.

Now, I do come from a part of the country where the people say that the only thing in the middle of the road is a yellow line or roadkill.

I always begin my stories as experiments – on large yellow tablets – a mixture of writing and sketching.

Whether the color of your skin is black, white, yellow, brown or purple – the extent of this tragedy is so incredibly devastating that we had to do something.

Knowledge is the key that unlocks all the doors. You can be green-skinned with yellow polka dots and come from Mars, but if you have knowledge that people need, instead of beating you, they’ll beat a path to your door.

Some people dye their hair yellow or put rings in their noses. I decided I wasn’t going to open an account. Put it the other way round – there was no reason that I should.

I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.