You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
BEN KINGSLEYIn order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
More Ben Kingsley Quotes
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I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs – so I’m totally immune. I live in a bubble.
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Family is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.
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I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
BEN KINGSLEY -
Hamlet is an astonishing intelligence.
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I think if I were to go back on stage I might be in great danger of acting.
BEN KINGSLEY -
It’s Sir Ben. I’ve not been a Mister for two years.
BEN KINGSLEY -
In England, it’s now Sir Ben. Mister has just disappeared. It’s not even on my passport anymore. They’ve taken Mister away from me.
BEN KINGSLEY -
I have a rather naive approach, I think, to my job.
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
BEN KINGSLEY -
I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
BEN KINGSLEY -
There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
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There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.
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I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.
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I hope I’m able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I’m reducing, rather than adding. Which hopefully is a good exercise. That’s what I’d like to do.
BEN KINGSLEY







