There’s so much crap talked about acting.
BEN KINGSLEY- I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
BEN KINGSLEY
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I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
More Ben Kingsley Quotes
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There’s so much crap talked about acting.
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I think that most actors attempt to keep in touch with the child.
BEN KINGSLEYI think that most actors attempt to keep in touch with the child.
BEN KINGSLEY -
John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
BEN KINGSLEYJohn Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
BEN KINGSLEY -
With narration, you have to be very accurate with your voice. It’s a good exercise to do.
BEN KINGSLEYWith narration, you have to be very accurate with your voice. It’s a good exercise to do.
BEN KINGSLEY -
When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
BEN KINGSLEYWhen Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
BEN KINGSLEY -
Millions of children are disempowered and we need to empower them.
BEN KINGSLEY -
Family is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.
BEN KINGSLEYFamily is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.
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I don’t honestly think people know what acting is.
BEN KINGSLEYI don’t honestly think people know what acting is.
BEN KINGSLEY -
Equal partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.
BEN KINGSLEYEqual partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.
BEN KINGSLEY -
There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
BEN KINGSLEYThere is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
BEN KINGSLEY -
The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
BEN KINGSLEYThe many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
BEN KINGSLEY -
You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
BEN KINGSLEYYou want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
BEN KINGSLEY -
I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.
BEN KINGSLEY -
I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
BEN KINGSLEY -
When I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.
BEN KINGSLEYWhen I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.
BEN KINGSLEY -
The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEYThe number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEY


