There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
BEN KINGSLEYI’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
More Ben Kingsley Quotes
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
BEN KINGSLEY -
If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
BEN KINGSLEY -
I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
BEN KINGSLEY -
But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
BEN KINGSLEY -
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
BEN KINGSLEY -
You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
BEN KINGSLEY -
The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEY -
I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
BEN KINGSLEY -
They’re a very strange lot actors, very strange people.
BEN KINGSLEY -
We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.
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I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
BEN KINGSLEY -
When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
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If your best friend has stolen your girlfriend, it does become life and death.
BEN KINGSLEY