I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
BEN GIBBARDAt this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
More Ben Gibbard Quotes
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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More times than not, it’s a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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You spend hours alone, only with your thoughts, and you torture yourself. It’s a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
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Liking interesting things doesn’t make you interesting.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.
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I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”
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You remember that stuff and laugh about it now. You don’t feel it the way you did back then when you were so scared and nervous and tired and hungry.
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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We always idealize the past because we don’t feel the painful stuff the way we used to.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
BEN GIBBARD