There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
BEN GIBBARDThe late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
More Ben Gibbard Quotes
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Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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Hall & Oates is one of the few musical groups as satisfying now as it was back then. There’s something incredibly musically satisfying about their songs. Nothing has diminished my love for them.
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You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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I couldn’t wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.
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I just rediscovered my guitar.
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You remember that stuff and laugh about it now. You don’t feel it the way you did back then when you were so scared and nervous and tired and hungry.
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We always idealize the past because we don’t feel the painful stuff the way we used to.
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Anything was better than going to work. All those early tours before we made any money were more like vacations. I don’t think it was until 2001 that we pulled our heads out of the sand and were like, “What are we doing?”
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To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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