“I don’t see myself as a documentary photographer. I am more drawn to the image itself, rather than to the description of a scene. And, anyway, every image only halfway represents reality, whereas the other half is rather, more or less, fulfilling our imagination.”

I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part….

I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture.

My work doesn’t speak about individuals (it’s not portraiture in the traditional sense), it tries to speak about life in general in cities of the West – which is where I live and what I understand.

At the core of my work there is this eternal back-and-forth between being confined to one’s own individuality and that longing to be part of the other, the outside world: the impossibility of ever being able to get beneath another person’s skin.

The treasure I have found cannot be described in words, the mind cannot conceive of it.

Love is your job description – no matter what you do for a living. If you ever feel unsure of what you’re supposed to do in a situation, here’s a good rule of thumb: always do what leads to greater love.

The purpose of science is not to analyze or describe but to make useful models of the world. A model is useful if it allows us to get use out of it.

Western traditions of education have emphasized knowledge analysis, description and debate. They all have a part to play, but today there is a whole vast aspect of doing that has just been left out. Operacy is what keeps society going.

The World is Large – Its beauty indescrible.

Why is it that you have more practice describing weaknesses than strengths? It’s not your fault they never went to the lengths to teach you how to value your strengths.

Empirical description involves enslavement to the object by decreeing passivity on the part of the subject.

It is not the object described that matters, but the light that falls on it.