Every corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.
GASTON BACHELARDEmpirical description involves enslavement to the object by decreeing passivity on the part of the subject.
More Gaston Bachelard Quotes
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The only possible proof of the existence of water, the most convincing and the most intimately true proof, is thirst.
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For a knowledge of intimacy, localization in the spaces of our intimacy is more urgent than determination of dates.
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So, like a forgotten fire, a childhood can always flare up again within us.
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The house protects the dreamer, the house allows one to dream in peace.
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A clear conscience is, for me, an occupied conscience-never empty-the conscience of a man at work until his last breath.
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Love is never finished expressing itself, and it expresses itself better the more poetically it is dreamed.
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We comfort ourselves by reliving memories of protection.
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Rilke wrote: ‘These trees are magnificent, but even more magnificent is the sublime and moving space between them, as though with their growth it too increased.
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All knowledge is in response to a question. If there were no question, there would be no scientific knowledge. Nothing proceeds from itself.
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Man is a creation of desire, not a creation of need.
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Through imagination, thanks to the subtleties of the irreality function, we re-enter the world of confidence, the world of the confident being, which is the proper world for reverie.
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Poetry is one of the destinies of speech… One would say that the poetic image, in its newness, opens a future to language.
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What is the source of our first suffering? It lies in the fact that we hesitated to speak… It was born in the moment when we accumulated silent things within us.
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To feel most beautifully alive means to be reading something beautiful.
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A book is a human fact; a great book like Seraphita gathers together numerous psychological elements. These elements become coherent through a sort of psychological beauty. It does the reader a service.
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The dream remains overloaded with the badly lived passions of daytime life. Solitude in the nocturnal dream is always a hostility. It is strange. It isn’t really our solitude.
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The great function of poetry is to give back to us the situations of our dreams.
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If I were asked to name the chief benefit of the house, I should say: the house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.
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Childhood lasts all through life.
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At all times and in all fields the explanation by fire is a rich explanation.
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There is no original truth, only original error.
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An excess of childhood is the germ of a poem.
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A special kind of beauty exists which is born in language, of language, and for language.
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Instead of looking for the dream in reverie, people should look for reverie in the dream. There are calm beaches in the midst of nightmares.
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The cleverer I am at miniaturizing the world, the better I possess it.
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The words of the world want to make sentences.
GASTON BACHELARD