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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.

John Berger

Pleasure and pain need to be considered together; they are inseparable. Yet the space filled by each is perhaps different. Pleasure, defined as a sense of gratification, is essential for nature
JOHN BERGER

Consider Essential Inseparable Nature Need Pain Pleasure Sense Space Together
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER

Artist Celebrity Country Drawing Epson Expert Like Most Often People Picasso Rembrandts
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER

Age Believe City Every Nothing Sex Teenager
But toemigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.
JOHN BERGER

Always Centre Dismantle Emigrate Fragment Lost Move World
What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
JOHN BERGER

Absorb Activity Draw Else Everything Forget Happen Mean Think Thinking
Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
JOHN BERGER

Different Forget Look Meaning Pain Remember Thing
Compassion opposes this order and is therefore best thought of as being in some way supernatural.
JOHN BERGER

Basic Best Compassion Necessity Oppose Order Therefore World
A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory.
JOHN BERGER

Contradiction Interest Meeting Natural Photo Photographer Place Use Viewer
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGER

Adjustment Against Derive Hope Injustice Justice Little Protest Shouting
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER

Cigarette Dialogue Noth Parentless Proscenium Shar Time
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER

Absence Painting Presence Real Something Thing
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
JOHN BERGER

Anguish Childhood Grief Learn Loss Period Suffer Total
These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER

Ambiguity Contradiction Image Increase Natural Photo Photograph
Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace.
JOHN BERGER

Around Close Conquer Country Door Frame Look Place Renaissance Screen Survey Window
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
JOHN BERGER

Appearance Arena Continually Cro Intermittent Magnon Metaphysical Space
You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER

Bureaucrat Greater Illusion Impersonal Interest Observe Others Power Themselves

When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.

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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.

Related Topics

Popular Authors

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