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Hair is associated with sexual power. With passion.

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Associate Hair Need Passion Sexual

Bagwalas

Popular Authors

Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.
JOHN BERGER

Accept Callous Human Inhuman Know Live Society Worth
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER

Art Future Innocent Judge never Often Past Revenge Shown Suffer
The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
JOHN BERGER

Addresses Adorable Contradiction God Image Perspective Reality Really Single Spectator Structure Unlike
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
JOHN BERGER

Contribute Memories Photograph Stranger Unknowable
What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but.
JOHN BERGER

Connect Difficult Significant Statement Strange Understand
Everything became exchangeable because everything became a commodity.
JOHN BERGER

Become Commodity Everything Exchangeable
No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
JOHN BERGER

Belong Draw Naturalist Paint Photograph Subject Way
The zoo cannot but disappoint.
JOHN BERGER

Animal Disappoint Pet Zoos
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
JOHN BERGER

Average Country Men never Painting Presume Principal Protagonist Rude Spectator
At times failure is very necessary for the artist. It reminds him that failure is not the ultimate disaster. And this reminder liberates him from the mean fussing of perfectionism.
JOHN BERGER

Artist Disaster Failure Mean Necessary Perfection Time Ultimate
By contrast, a woman’s presence… defines what can and cannot be done to her.
JOHN BERGER

Contrast Define Done Her Presence Women
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
JOHN BERGER

Anguish Childhood Grief Learn Loss Period Suffer Total
The spectator-buyer is meant to envy herself as she will become if she buys the product.
JOHN BERGER

Buy Buyer Envy Herself Imagine Meant Product Spectator
Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
JOHN BERGER

Character Death Modern Notion Spectular Time Transferred
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER

Cigarette Dialogue Noth Parentless Proscenium Shar Time

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