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Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.

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For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
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Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
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As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
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Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.
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It dreams, like a dog in its basket, of hares in the open.
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Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible.
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Glamour cannot exist without personal social envy being a common and widespread emotion.
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Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
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Common-sense is part of the home-made ideology of those who have been deprived of fundamental learning, of those who have been kept ignorant.
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She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.
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This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
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For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
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What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
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That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe.
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A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
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Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
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