I’m an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
BARBARA KRUGERI don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
More Barbara Kruger Quotes
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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I think pictures and words have the power to make us rich or poor.
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I had to figure out how to bring the world into my work.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Love is something you fall into.
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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
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I think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
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The different aspects of my activity, whether it’s writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don’t make any separation in terms of those practices.
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GIVE YOUR BRAIN AS MUCH ATTENTION AS YOU DO YOUR HAIR AND YOU’LL BE A THOUSAND TIMES BETTER OFF.
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Money talks. It makes art. It determines what food we eat, whether we are cured or die, and what shoes we wear.
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Prominence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.
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Listen: our culture is saturated with irony whether we know it or not.
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It’s hard for me to understand how working-class people support themselves.
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It’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
BARBARA KRUGER