“I cannot even remember a time before being conscious of James Bond.”

Bad movies are when people go oh, I wasted $10 bucks and 2 hours and I don’t even want to go back again.

We just try to make the best film we can, each time, and hope that we satisfy the fans. I’m sure, with Skyfall, that we will. I think it’s a terrific film. I hope the audiences enjoy it, as much as we’ve enjoyed making it.

There’s a lot of instant spotlight and pressure when it comes to a Bond song.

I guess the reality is, everybody today has so many gadgets.

It’s a privilege. It’s a real honor. It’s a challenge. Michael and I always feel we stand on tall shoulders when we make these films. Audiences come to them with a lot of good will because of what’s come before.

When men change, maybe Bond will change.

And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn’t for Sean Connery, we wouldn’t all be here. I was raised to fight for what I believed in, so I wasn’t going to give up.

I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He’s been an extraordinary Bond, and he is very much the right Bond for the 21st century.

I think Bond the character is distinct: He’s British, he has a certain code that he lives by, he’s incorruptible… he’s a classical hero, but he’s also fallible. He has inner demons, inner conflicts, and he’s a romantic.

So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.

My father used to describe how he’d love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That’s what it’s like, every day, when you’re making a film. It’s the magic.

One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn’t been. But, it sure has been entertaining and rewarding.

I still love it, every day. I get up and I love going to work. I love seeing it all happen, and I admire the people that we work with. I just hope that the films will continue to entertain audiences, as they have done for 50 years.

The paparazzi terrify and torment people and endanger people and it’s really unpleasant.

Every 20 minutes you’ve got to have a bump, you’ve got to have a change in course, you’ve got to unsettle the audience. It can’t be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn’t let an audience feel too settled in.

It’s been such a huge part of my life, it’s hard for me to separate it out. All I can say is that I had an extraordinary childhood. I was around these amazing people and went to exotic locations. The whole movie-making thing is so magical.

Like the idea that every night might be the night before the world ends.

In the immediate postwar era, financial crises in advanced countries were rare events, and before 1970 did not happen at all.

You will follow every mountain, sea and shore, You will see from far and near a world you’ve never seen before.

Why it banged, or what happened before it banged.

Before I met Ayn Rand, I was a logical positivist, and accordingly,

I could have spread my wings and done a thousand things I’ve never done before.

How many more tragedies does it take before we do something?

We need innovation in education and dedication to the task before us.