“One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn’t been. But, it sure has been entertaining and rewarding.”

Bad movies are when people go oh, I wasted $10 bucks and 2 hours and I don’t even want to go back again.

We just try to make the best film we can, each time, and hope that we satisfy the fans. I’m sure, with Skyfall, that we will. I think it’s a terrific film. I hope the audiences enjoy it, as much as we’ve enjoyed making it.

There’s a lot of instant spotlight and pressure when it comes to a Bond song.

I guess the reality is, everybody today has so many gadgets.

It’s a privilege. It’s a real honor. It’s a challenge. Michael and I always feel we stand on tall shoulders when we make these films. Audiences come to them with a lot of good will because of what’s come before.

When men change, maybe Bond will change.

And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn’t for Sean Connery, we wouldn’t all be here. I was raised to fight for what I believed in, so I wasn’t going to give up.

I cannot even remember a time before being conscious of James Bond.

I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He’s been an extraordinary Bond, and he is very much the right Bond for the 21st century.

I think Bond the character is distinct: He’s British, he has a certain code that he lives by, he’s incorruptible… he’s a classical hero, but he’s also fallible. He has inner demons, inner conflicts, and he’s a romantic.

So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.

My father used to describe how he’d love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That’s what it’s like, every day, when you’re making a film. It’s the magic.

I still love it, every day. I get up and I love going to work. I love seeing it all happen, and I admire the people that we work with. I just hope that the films will continue to entertain audiences, as they have done for 50 years.

The paparazzi terrify and torment people and endanger people and it’s really unpleasant.

Every 20 minutes you’ve got to have a bump, you’ve got to have a change in course, you’ve got to unsettle the audience. It can’t be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn’t let an audience feel too settled in.

It’s been such a huge part of my life, it’s hard for me to separate it out. All I can say is that I had an extraordinary childhood. I was around these amazing people and went to exotic locations. The whole movie-making thing is so magical.

One of the things I learned growing up, a rule that I go by, is just never give up. That’s one thing that I had to keep telling myself.

I’ve been absolutely terrified every moment of my life – and I’ve never let it keep me from doing a single thing I wanted to do.

In life, you have got to make the best of every situation; you have to keep going.

Because my lower body is quiet, I need a full shoulder turn to generate power and speed. Keep your tempo smooth, and with the quiet lower body, you don’t have to worry about losing your balance.

The wind can be quite extreme in England. We are not familiar with that in Germany, and you have to keep things simple.

If I be not in a state of grace, I pray God place me in it; if I be in it, I pray God keep me so.

When you go to confession and entrust your sins to the safe-keeping of the priest, do you ever come back for them?

I love Cincinnati, but you can keep that spaghetti chili product!