“There’s a lot of instant spotlight and pressure when it comes to a Bond song.”

People go to extraordinary lengths to get films made.

Bad movies are when people go oh, I wasted $10 bucks and 2 hours and I don’t even want to go back again.

We just try to make the best film we can, each time, and hope that we satisfy the fans. I’m sure, with Skyfall, that we will. I think it’s a terrific film. I hope the audiences enjoy it, as much as we’ve enjoyed making it.

I guess the reality is, everybody today has so many gadgets.

It’s a privilege. It’s a real honor. It’s a challenge. Michael and I always feel we stand on tall shoulders when we make these films. Audiences come to them with a lot of good will because of what’s come before.

When men change, maybe Bond will change.

And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn’t for Sean Connery, we wouldn’t all be here. I was raised to fight for what I believed in, so I wasn’t going to give up.

I cannot even remember a time before being conscious of James Bond.

I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He’s been an extraordinary Bond, and he is very much the right Bond for the 21st century.

I think Bond the character is distinct: He’s British, he has a certain code that he lives by, he’s incorruptible… he’s a classical hero, but he’s also fallible. He has inner demons, inner conflicts, and he’s a romantic.

So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.

My father used to describe how he’d love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That’s what it’s like, every day, when you’re making a film. It’s the magic.

One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn’t been. But, it sure has been entertaining and rewarding.

I still love it, every day. I get up and I love going to work. I love seeing it all happen, and I admire the people that we work with. I just hope that the films will continue to entertain audiences, as they have done for 50 years.

The paparazzi terrify and torment people and endanger people and it’s really unpleasant.

Every 20 minutes you’ve got to have a bump, you’ve got to have a change in course, you’ve got to unsettle the audience. It can’t be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn’t let an audience feel too settled in.

I can take the spotlight that shines on me and shift it towards those issues that are infinitely more important than my own issues.

I grew up in a very loud and dramatic household, and we loved being in the spotlight.

Christmas Day was special because everybody is watching at home. That’s what I loved about Christmas Day because it shined the spotlight on the Lakers, on our team.

I try to stay out of the spotlight.

The majority of people perform well in a crisis and when the spotlight is on them; it’s on the Sunday afternoons of this life, when nobody is looking, that the spirit falters.

The table was her stage. The mobile phone was the microphone. And the new moon was the spotlight. That kind of magic only Nana could make it happen.

I think people ultimately realize that, but not when they’re in the spotlight.

Part of it is the decision to keep things where you want to train the spotlight. For me, it’s the personal side. I always ask, How does the person inside the character relate to this?