black
grey
blue
red
brown
white

I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and the colors around it and what it will really look like. It’s only a guess at the beginning, and then I try to refine it.

Roy Lichtenstein

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The things that I have apparently parodied I actually admire.
ROY LICHTENSTEIN

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Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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Come Draw Lot Mind Painting Thing Trying Usually Worl Yeah
My direction is very anti-contemplative. If you thought I was for commercial products, you’d think there was no irony. The irony isn’t meant to be an ironic comment on our society, exactly.
ROY LICHTENSTEIN

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You know, as you compose music, you’re just off in your own world.
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I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
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Between Cliched Fact Rigid Seem Tension Think Way
I think that most people think painters are kind of ridiculous, you know?
ROY LICHTENSTEIN

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Outside is the world; it’s there. Pop Art looks out into the world.
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Art Look Out Outside Pop World
I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
ROY LICHTENSTEIN

Cliche Differences Form Make Monument Organize Trying
We like to think of industrialization as being despicable.
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Art Being Despicable Industrialization Interesting Like Thing Thinking
A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.
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Yeah, you know, you like it to come on like gangbusters, but you get into passages that are very interesting and subtle, and sometimes your original intent changes quite a bit.
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Organized perception is what art is all about.
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There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.
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What interests me is to paint the kind of antisensitivity that impregnates modern civilization.
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Antisensitivity Art Civilization Impregnate Interest Modern Paint Thinking
I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
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There are certain things that are usable, forceful, and vital about commercial art. We’re using those things – but we’re not really advocating stupidity, international teenagerism, and terrorism.
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