As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.
ROY LICHTENSTEIN- All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
ROY LICHTENSTEIN
- black
- grey
- blue
- red
- brown
- white
All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
More Roy Lichtenstein Quotes
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As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.
ROY LICHTENSTEIN -
I dont have big anxieties. I wish I did. Id be much more interesting.
ROY LICHTENSTEINI dont have big anxieties. I wish I did. Id be much more interesting.
ROY LICHTENSTEIN -
I think that most people think painters are kind of ridiculous, you know?
ROY LICHTENSTEINI think that most people think painters are kind of ridiculous, you know?
ROY LICHTENSTEIN -
We’re not living in a school-of-Paris world, you know, and the things we really see in America are like this. It’s McDonald’s, it’s not Le Corbusier.
ROY LICHTENSTEINWe’re not living in a school-of-Paris world, you know, and the things we really see in America are like this. It’s McDonald’s, it’s not Le Corbusier.
ROY LICHTENSTEIN -
There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
ROY LICHTENSTEIN -
You know, as you compose music, you’re just off in your own world.
ROY LICHTENSTEINYou know, as you compose music, you’re just off in your own world.
ROY LICHTENSTEIN -
Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
ROY LICHTENSTEINPainting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
ROY LICHTENSTEIN -
I like to pretend that my art has nothing to do with me.
ROY LICHTENSTEINI like to pretend that my art has nothing to do with me.
ROY LICHTENSTEIN -
Use the worst colour you can find in each place – it usually is the best.
ROY LICHTENSTEINUse the worst colour you can find in each place – it usually is the best.
ROY LICHTENSTEIN -
Color is crucial in painting, but it is very hard to talk about.
ROY LICHTENSTEINColor is crucial in painting, but it is very hard to talk about.
ROY LICHTENSTEIN -
Im not really sure what social message my art carries, if any.
ROY LICHTENSTEIN -
I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.
ROY LICHTENSTEINI’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.
ROY LICHTENSTEIN -
I’d always wanted to know the difference between a mark that was art and one that wasn’t.
ROY LICHTENSTEINI’d always wanted to know the difference between a mark that was art and one that wasn’t.
ROY LICHTENSTEIN -
I don’t think that I’m over his influence but they probably don’t look like Picassos; Picasso himself would probably have thrown up looking at my pictures.
ROY LICHTENSTEINI don’t think that I’m over his influence but they probably don’t look like Picassos; Picasso himself would probably have thrown up looking at my pictures.
ROY LICHTENSTEIN -
I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
ROY LICHTENSTEINI suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
ROY LICHTENSTEIN -
All my art is in some way about other art, even if the other art is cartoons.
ROY LICHTENSTEINAll my art is in some way about other art, even if the other art is cartoons.
ROY LICHTENSTEIN


