“I think that most people think painters are kind of ridiculous, you know?”

People think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.

Personally, I feel that in my own work I wanted to look programmed or impersonal but I don’t really believe I am being impersonal when I do it. And I don’t think you could do this.

Picasso’s always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.

I don’t really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.

I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.

I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and the colors around it and what it will really look like. It’s only a guess at the beginning, and then I try to refine it.

When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.

All my art is in some way about other art, even if the other art is cartoons.

A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.

But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.

The things that I have apparently parodied I actually admire.

I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.

The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true.

Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.

Im interested in what would normally be considered the worst aspects of commercial art.

Outside is the world; it’s there. Pop Art looks out into the world.

Once he sees this fact his feet are on the path. If you want to know the truth you will know it.

The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.

What monstrous absurdities and paradoxes have resisted whole batteries of serious arguments, and then crumbled swiftly into dust before the ringing death-knell of a laugh!

I cannot speak for you. Two thoughts: there is no liberation that only knows how to say ‘I’; there is no collective movement that speaks for each of us all the way through.

Jesus Christ, Lord of all things! You see my heart, you know my desires.

He knows what he speaks of, what he brings with him and what he promises; and he can convey it to those who know it not.

I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.

One of the most powerful sayings I have come across is by Imam ash-Shafi’I, “My heart is at ease knowing that what was meant for me will never miss me, and that what misses me was never meant for me.”