I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.
ROY LICHTENSTEINPeople think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.
More Roy Lichtenstein Quotes
-
-
Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there’s another purpose to it.
ROY LICHTENSTEIN -
The things that I have apparently parodied I actually admire.
ROY LICHTENSTEIN -
What interests me is to paint the kind of antisensitivity that impregnates modern civilization.
ROY LICHTENSTEIN -
You have no idea where reality is, so to have an idea of what people think is pretty hard.
ROY LICHTENSTEIN -
When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
ROY LICHTENSTEIN -
Color is crucial in painting, but it is very hard to talk about.
ROY LICHTENSTEIN -
Im not really sure what social message my art carries, if any.
ROY LICHTENSTEIN -
Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.
ROY LICHTENSTEIN -
My direction is very anti-contemplative. If you thought I was for commercial products, you’d think there was no irony. The irony isn’t meant to be an ironic comment on our society, exactly.
ROY LICHTENSTEIN -
I like to pretend that my art has nothing to do with me.
ROY LICHTENSTEIN -
Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
ROY LICHTENSTEIN -
All my art is in some way about other art, even if the other art is cartoons.
ROY LICHTENSTEIN -
As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.
ROY LICHTENSTEIN -
I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and the colors around it and what it will really look like. It’s only a guess at the beginning, and then I try to refine it.
ROY LICHTENSTEIN -
My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way….
ROY LICHTENSTEIN -
Personally, I feel that in my own work I wanted to look programmed or impersonal but I don’t really believe I am being impersonal when I do it. And I don’t think you could do this.
ROY LICHTENSTEIN -
My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.
ROY LICHTENSTEIN -
You know, as you compose music, you’re just off in your own world.
ROY LICHTENSTEIN -
Art doesn’t transform. It just plain forms.
ROY LICHTENSTEIN -
And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
ROY LICHTENSTEIN -
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
ROY LICHTENSTEIN -
I think that most people think painters are kind of ridiculous, you know?
ROY LICHTENSTEIN -
But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
ROY LICHTENSTEIN -
I’d always wanted to know the difference between a mark that was art and one that wasn’t.
ROY LICHTENSTEIN -
I dont have big anxieties. I wish I did. Id be much more interesting.
ROY LICHTENSTEIN -
There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
ROY LICHTENSTEIN