Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.

ROY LICHTENSTEIN

black
grey
blue
red
brown
white

Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.

Roy Lichtenstein

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Anything Expressionist Next Oddities Sometimes Think Year

Bagwalas

There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.

ROY LICHTENSTEIN

There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.
ROY LICHTENSTEIN

Almost Certain Consistency Generalization Hold Make Modulation Nothing Say Statement
Personally, I feel that in my own work I wanted to look programmed or impersonal but I don’t really believe I am being impersonal when I do it. And I don’t think you could do this.

ROY LICHTENSTEIN

Personally, I feel that in my own work I wanted to look programmed or impersonal but I don’t really believe I am being impersonal when I do it. And I don’t think you could do this.
ROY LICHTENSTEIN

Belive Feel Impersonal Own Personally Programme Wanted
But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.

ROY LICHTENSTEIN

But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
ROY LICHTENSTEIN

Draw Drawing Making Out Think Usually
You know, as you compose music, you’re just off in your own world.

ROY LICHTENSTEIN

You know, as you compose music, you’re just off in your own world.
ROY LICHTENSTEIN

Compose Just Own
In America the biggest is the best.

ROY LICHTENSTEIN

In America the biggest is the best.
ROY LICHTENSTEIN

Best Biggest
I dont have big anxieties. I wish I did. Id be much more interesting.

ROY LICHTENSTEIN

I dont have big anxieties. I wish I did. Id be much more interesting.
ROY LICHTENSTEIN

Anxiety More Much
You have no idea where reality is, so to have an idea of what people think is pretty hard.

ROY LICHTENSTEIN

You have no idea where reality is, so to have an idea of what people think is pretty hard.
ROY LICHTENSTEIN

Hard Idea Think
My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way….

ROY LICHTENSTEIN

My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way….
ROY LICHTENSTEIN

Commercial Sanitize Sanitizing Symbolic
There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
ROY LICHTENSTEIN

Between Cartoon Definitely May Understood
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
ROY LICHTENSTEIN

Certain Dot Draw Drawing Thing
The things that I have apparently parodied I actually admire.

ROY LICHTENSTEIN

The things that I have apparently parodied I actually admire.
ROY LICHTENSTEIN

Actual Apparently Paradied Thing
Color is crucial in painting, but it is very hard to talk about.

ROY LICHTENSTEIN

Color is crucial in painting, but it is very hard to talk about.
ROY LICHTENSTEIN

Color Consistency Hard Trying Very
I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.

ROY LICHTENSTEIN

I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
ROY LICHTENSTEIN

Architect Form Think
You forget that this has been thirty five years now and people don’t look at it as if it were some kind of oddity.

ROY LICHTENSTEIN

You forget that this has been thirty five years now and people don’t look at it as if it were some kind of oddity.
ROY LICHTENSTEIN

Being Five Now Oddity Some Thirty Years
A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.

ROY LICHTENSTEIN

A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.
ROY LICHTENSTEIN

Cartoon Include Mickey Mouse Number Peron
All my art is in some way about other art, even if the other art is cartoons.

ROY LICHTENSTEIN

All my art is in some way about other art, even if the other art is cartoons.
ROY LICHTENSTEIN

Cartoon Even Some Way

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