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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
JOHN BERGER

Consequences Exactly Past Prisoner Wish
The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
JOHN BERGER

Animal Look Offer Opportunity Public Purpose Visitor Zoos
In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles.
JOHN BERGER

Anywhere Consequences Every Hour Modern People Political Politics Thousand Writing
These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER

Ambiguity Contradiction Image Increase Natural Photo Photograph
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
JOHN BERGER

Artist Country Event Influence might Outgoing Political Themselves Time Tragedies
You can plan events, but if they go according to your plan they are not events.
JOHN BERGER

According Event Events Plan Plans
Compassion opposes this order and is therefore best thought of as being in some way supernatural.
JOHN BERGER

Basic Best Compassion Necessity Oppose Order Therefore World
Everything became exchangeable because everything became a commodity.
JOHN BERGER

Become Commodity Everything Exchangeable
Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
JOHN BERGER

Continual Define Poetry Reassembking Repair Scattered Separate Space
The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER

Bureaucrat Envied Envy Greater Illusion Power Themselves
It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
JOHN BERGER

Between Explicit Fully Make Relationship Stories Trying Universal Usually Writing
Seeing comes before words. The child looks and recognizes before it can speak.
JOHN BERGER

Children Looks Speak Recognize Word
Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
JOHN BERGER

Art Become Enduring Function Gut Honor Invisible Meeting Place
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
JOHN BERGER

Burden Camera Forget God Like Memories Photography Relieve Survey Us Yet
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER

Clash Color Cymbal Effect Lullaby Matisse Neither Together

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