“It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.”

The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky.

Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.

My heart born naked was swaddled in lullabies.

Photographs bear witness to a human choice being exercised in a given situation.

A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.

The unsung, impersonal world remains outside, on the other surface of a placenta. All songs, even when their content or rendering is strongly masculine, operate maternally.

Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.

Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.

When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.

The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.

For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal

All publicity works upon anxiety.

Ethics determine choices and actions and suggest difficult priorities.

Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.

Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.

Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.

I had to walk down that aisle between all the players. I really didn’t know too much about the Detroit Tigers at that time.

Minnesotans know the difference between the job of satirist and the job of senator. And so do I.

It’s hard for a liberal to go on between Sean Hannity and Rush Limbaugh, because it’s like doing country music after hip-hop. I mean, just, the audience doesn’t go from one to the other.

There’s no comparison between NPR and the propaganda that you hear from Rush or from Sean Hannity.

Between the ages of 12 and 17, for example, a parent ages as much as 20 years.

The most important dichotomy that I make for a society is between those who support democracy and human rights, and those who oppose it.

They say that only very good friends quarrel. But at the end of the day a quarrel is a fight between two people’s egos.

I feel the same way about all my friends. To me, the exact relationship between me and someone else doesn’t matter much. But people want to label everything… So I guess I seem indifferent in that way.