“A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.”

Seeing comes before words. The child looks and recognizes before it can speak.

I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.

Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.

A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory.

This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.

We only see what we look at. To look is an act of choice.

To live and die amongst foreigners may seem less absurd than to live persecuted or tortured by one’s fellow countrymen….

The existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.

Advertising is not merely an assembly of competing messages; it is a language itself which is always being used to make the same general proposal

It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours.

What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.

Every authentic poem contributes to the labour of poetry… to bring together what life has separated or violence has torn apart.

The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.

To be desired is perhaps the closest anybody in this life can reach to feeling immortal.

No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.

For me, drawing is a lot to do with taking out, with returning to the white of the paper.

I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because ‘you aren’t going to make a living doing that.’ I liked looking in art books at the work of painters.

As “Calvin and Hobbes” went on, the writing pushed the drawings into greater complexity.

I still do my comedy and my performance stuff and my acting so it’s not all-consuming. But I do find myself drawing more and more these days.

Something about glamour interested me. All my schoolbooks had drawings of women on terraces with a cocktail and a cigarette.

I didn’t always spell my name Bil. My parents named me Bill, but when I started drawing cartoons on the wall, they knocked the ‘L’ out of me.

A full, rich drawing style is a drawback.

Drawing is the most inalienable medium. It is private; it practically doesn’t have an audience in mind, just the artist’s expression.

When I was in high school at Northeast Catholic in Philadelphia in the late ’30s, I found that drawing caricatures of the teachers and satirizing the events in the school, then having them published in our school magazine, got me some notoriety.