“It’s hilarious a lot of times. You have a conversation with someone, and he’s like, ‘You speak so well!’ I’m like, ‘What do you mean? Do you understand that’s an insult?”

I know I’m a different person. But nothing can erase that era, those times, those memories, those fights to get ‘Roc-A-fella’ where it was.

I think the problem with people, as they start to mature, they say, ‘Rap is a young man’s game,’ and they keep trying to make young songs. But you don’t know the slang – it changes every day, and you’re just visiting. So you’re trying to be something you’re not, and the audience doesn’t buy into that.

When you have a reputation for making not only good songs but great albums, that in itself creates added artistic pressure. But, at the end of the day, I guess that pressure is something I welcome.

Companies that pretend to care about music and really care about other things – whether it be hardware, whether it be advertising – and now they look at music as a loss leader. And we know music isn’t a loss leader; music is an important part of our lives.

When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this ’cause we both were outcasts.

I don’t profess to be a political rapper, like groups such as ‘Dead Prez’ or ‘Public Enemy’, but I think social commentary should make its way into your music. Speaking on your neighbourhood is social commentary – what happens, what’s going on.

It wasn’t until sixth grade, at P.S. 168, when my teacher took us on a field trip to her house that I realized we were poor.

All my businesses are part of the culture, so I have to stay true to whatever I’m feeling at the time, whatever direction I’m heading in.

Music is the soundtrack to your life. It’s not going to go anywhere. But the way people are purchasing music has changed. It’s not the same anymore. It will never be the same.

My first album was mainly dealing with street issues, and it was ‘coded’: it was called ‘Reasonable Doubt.’ So the things I was talking about…

The burden of poverty isn’t just that you don’t always have the things you need: it’s the feeling of being embarrassed every day of your life, and you’d do anything to lift that burden.

I was a really good student. In the sixth grade, I was reading at a twelfth grade reading level. But I got bored.

Poor people don’t like talking about poverty because even though they might live in the projects surrounded by other poor people and have, like, ten dollars in the bank they don’t like to think of themselves as poor.

If just the presence of Tidal causes other companies to have better pay structure or to pay more attention to it moving forward, then we’ve been successful in one way. So we don’t really view them as competitors. As the tide rises, all the boats rise.

Wherever I go, I bring the culture with me, so that they can understand that it’s attainable. I didn’t do it any other way than through hip-hop.

I’m just going to make the music I love to make, and I’m going to mature with my music.

Polite conversation is rarely either.

You start reverting back to that state of mind where you’re having conversations with yourself, and that’s where the weirdest and most honest ideas come from.

As a writer one is allowed to have conversations with oneself.

Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.

Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.

Would you like to be a brilliant conversationalist?

It wasn’t only fanatics and drunkards who began conversations with strangers in public.

You’re in a conversation and everybody’s agreeing with what you’re saying – even if you say something totally crazy. You need people who can tell you what you don’t want to hear.