“I don’t think I have the kind of creativity to write fiction.”

Growing up, I never really felt like anything was my own. I moved a lot, and I never belonged anywhere.

I hate that my opinions are gonna be on record… that my opinions of other artists are going to be on record.

I’ve stopped wanting a home, I think, because I’ve been on tour all my life, basically.

Being an outsider makes you a really good writer.

On tour, people know that if they ever ask me what I want to eat, I will always say Asian food. I’m becoming a stereotype, but it’s what I want to eat. I want to eat rice.

I think your ego gets in the way of making something good because it kind of blinds you from the actual art.

Whenever someone says they like something about my music.

A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn’t like that for me. I didn’t think of it as a job or a career – it was just something that was constant.

When you’re an adult, things mellow out. I think when you’re a teenager and you are sad and the world is ending, everything is about that one sadness.

I guess you can say I ‘do the Twist.’ I like playful dance moves that aren’t too serious.

Sometimes when I perform, and it’s obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.

In my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.

I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.

There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.

My father was obsessed with folk music from around the world, and I think the countless artists who performed them are my biggest influences.

I think the pressure gets to me when I play shows and there’s more people in the audience than I’m used to.