“In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work – the hay in the summertime, for example.”

The end of art is peace.

If you go into an underground train in London – probably anywhere, but chiefly in London – there’s that sense of almost entering a ghostly dimension. People are very still and quiet; they don’t exchange many pleasantries.

I suppose you could say my father’s world was Thomas Hardy and my mother’s D.H. Lawrence.

The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.

The completely solitary self: that’s where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.

A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.

Eternal life can mean utter reverence for life itself.

I came from a farming background, and my career was teaching.

We go to poetry, we go to literature in general, to be forwarded within ourselves.

One doesn’t want one’s identity coerced.

I think childhood is, generally speaking, a preparation for disappointment.

I’m a firm believer in learning by heart.

I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.

The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.

Loyalism, or Unionism, or Protestantism, or whatever you want to call it, in Northern Ireland – it operates not as a class system, but a caste system.

Even if the hopes you started out with are dashed, hope has to be maintained.

We really don’t have an honest-to-goodness farm, more of a hobby farm.

My family and I reside on a non-working farm, although we have a couple of horses and the usual stuff like pigs, cows, and chickens.

They’ve had local rightwing guys who’ve become national rightwing guys, and who build slowly, and that’s how it goes. We haven’t had that. It isn’t like we have a farm team.

People lucky enough to live in the vicinity of an industrial hog farm are, with each breath, made keenly aware of the cause of their declining property values.

If I were to leave the U.S., I’d live in England. But I’d never leave the U.S. I own a 400-acre farm in Macon, Georgia. I raise cattle and hogs. I own horses, too. I love horses as much as singing. I like to hunt on horseback.

Choosing leaf or flesh, factory farm or family farm, does not in itself change the world, but teaching ourselves, our children, our local communities, and our nation to choose conscience over ease can.

Ninety-nine percent of all land animals eaten or used to produce milk and eggs in the United States are factory farmed. So although there are important exceptions, to speak about eating animals today is to speak about factory farming.

Every factory-farmed animal is, as a practice, treated in ways that would be illegal if it were a dog or a cat.