“Everything else is relative levels of hell.”

The best parts about writing a show are [its] first, second and 10th anniversaries.

If you write enough musicals you pretty much have a sense of where they should go.

Having a tradition is a great thing to work within, and maybe today [it] is the only way to really land musically dramatic work.

And all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.

And, it’s also about spurring each other on to doing really great, hard work.

So you have to do a lot of things in order for things to move forward.

So there are more songs on the stage because the songs are kind of the close up.

Whether it’s animated, whether it’s live-action, whether it’s Broadway, whether it’s television, a musical is a musical is a musical.

I don’t write songs for myself anymore. I only write songs on assignment.

What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg.

I’ve always juggled a lot of projects because at least half the projects you do get shelved.

It’s purely a business, but it is still so important to me emotionally.

So, pretty much you approach the songs in pretty much the same way.

Collaboration is being open to each other’s ideas and benefiting from each other’s perspectives in an open way.

Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece.

What you’ll need, and when; how to pull people on that journey.

But to feel that there was feeling denied me, that the very breath of life itself was beyond my reach, that more than anything else hurt, wounded me. I had a new hunger.

A good listener is usually thinking about something else.

You decided what you thought you’d like me to do, and you went ahead and did it. You did what everyone else does. You decided for me.

Like anyone else, a lot of what I do and how I think has been shaped by my family and my overall life experience. Many who know me say I am also defined by my curiosity and thirst for learning. I buy more books than I can finish.

A man is the sum of his actions, of what he has done, of what he can do, Nothing else.

What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.

Success is somebody else’s failure.

Do not mind anything that anyone tells you about anyone else.