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If you write enough musicals you pretty much have a sense of where they should go.

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Enough Go Much Musical Pretty Sense

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

And all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
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I’ve always juggled a lot of projects because at least half the projects you do get shelved.
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If you write enough musicals you pretty much have a sense of where they should go.
ALAN MENKEN

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And, it’s also about spurring each other on to doing really great, hard work.
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What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg.
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The best parts about writing a show are [its] first, second and 10th anniversaries.
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Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece.
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Collaboration is being open to each other’s ideas and benefiting from each other’s perspectives in an open way.
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It’s easier to do it in a collaboration than on your own.
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I don’t write songs for myself anymore. I only write songs on assignment.
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What you’ll need, and when; how to pull people on that journey.
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So you have to do a lot of things in order for things to move forward.
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It’s purely a business, but it is still so important to me emotionally.
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Having a tradition is a great thing to work within, and maybe today [it] is the only way to really land musically dramatic work.
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Whether it’s animated, whether it’s live-action, whether it’s Broadway, whether it’s television, a musical is a musical is a musical.
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The difference might be that in a film you have a close up. On stage you don’t.
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