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The best parts about writing a show are [its] first, second and 10th anniversaries.

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Anniversary Best Part Second Show Write

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The best parts about writing a show are [its] first, second and 10th anniversaries.
ALAN MENKEN

Anniversary Best Part Second Show Write
Having a tradition is a great thing to work within, and maybe today [it] is the only way to really land musically dramatic work.
ALAN MENKEN

Dramatic Great Musical Thing Today Tradition Way
So there are more songs on the stage because the songs are kind of the close up.
ALAN MENKEN

Because Close Kind More Song Stage
I’ve been very fortunate as a composer to be involved with projects that have really propelled my scores forward. I’m very proud of it.
ALAN MENKEN

Composer Fortunate Forward Involve Project Propel Proud
It’s purely a business, but it is still so important to me emotionally.
ALAN MENKEN

Business Emotionally Important Purely Still
It’s easier to do it in a collaboration than on your own.
ALAN MENKEN

Collaboration Easier Own
Whether it’s animated, whether it’s live-action, whether it’s Broadway, whether it’s television, a musical is a musical is a musical.
ALAN MENKEN

Action Animate Broadway Live Musical Television
Everything else is relative levels of hell.
ALAN MENKEN

Else Everything Hell Level Relative
Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece.
ALAN MENKEN

All Collaboration Constant Each Help Other Rewrite
The difference might be that in a film you have a close up. On stage you don’t.
ALAN MENKEN

Cose Difference Film might Stage
So you have to do a lot of things in order for things to move forward.
ALAN MENKEN

Do Thing Forward Lot Move Order
Collaboration is being open to each other’s ideas and benefiting from each other’s perspectives in an open way.
ALAN MENKEN

Age Benefit Collaboration Each Ideal Open Other Perspective
What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg.
ALAN MENKEN

Brought Disney New Over People Person Regime
And, it’s also about spurring each other on to doing really great, hard work.
ALAN MENKEN

Also Great Other Really Spurring Work Hard
So, pretty much you approach the songs in pretty much the same way.
ALAN MENKEN

Approach Much Pretty Same Song Way
If you write enough musicals you pretty much have a sense of where they should go.
ALAN MENKEN

Enough Go Much Musical Pretty Sense
And all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
ALAN MENKEN

All Animate Disney Entry People Place Reinvigorate Want
What you’ll need, and when; how to pull people on that journey.
ALAN MENKEN

Journey Need People Pull What
I don’t write songs for myself anymore. I only write songs on assignment.
ALAN MENKEN

Any Assignment More Myself Song Write
I’ve always juggled a lot of projects because at least half the projects you do get shelved.
ALAN MENKEN

Always Half Juggled Least Lot Project Shelve

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