Here I sit, alone at 60, Bald and fat and full of sin Cold the seat, and loud the cistern As I read the (Harpic) (Lysol) tin
ALAN BENNETTTo read is to withdraw.To make oneself unavailable. One would feel easier about it if the pursuit inself were less…selfish.
More Alan Bennett Quotes
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There’s very little in the substance of [THE LADY IN THE VAN] which is not fact though some adjustments have had to be made.
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One reads for pleasure…it is not a public duty.
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Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
ALAN BENNETT -
The liturgy is best treated and read as if it’s someone announcing the departure of trains.
ALAN BENNETT -
To read is to withdraw.To make oneself unavailable. One would feel easier about it if the pursuit inself were less…selfish.
ALAN BENNETT -
I think perhaps that’s why I live in Ibiza, because the blue of the Mediterranean, you see, reminds me of the blue of the eyes of those Doncaster miners.
ALAN BENNETT -
Books generally just confirm you in what you have, perhaps unwittingly, decided to do already.
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The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you.
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f they’d been working with Alec Guinness, for instance, they wouldn’t have known they were born if they’d not towed the line!
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They may not have two spondees to rub together but they still want to pen their saga untrammelled by life-threatening activities like trailing round Sainsbury’s, emptying the dishwasher or going to the nativity play.
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I’m not good at precise, coherent argument. But plays are suited to incoherent argument, put into the mouths of fallible people.
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His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls.
ALAN BENNETT -
In the way of circumstances and background to transcend I had everything an artist could possibly want. It was practically a blueprint.
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I think the writer’s quite low down in the hierarchy really. But the fact that they took the piss out of Nicholas [Hynter] who, besides being the director, is also director of the National Theatre is, I’d have thought, slightly more risky.
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Cloisters, ancient libraries … I was confusing learning with the smell of cold stone.
ALAN BENNETT