“Actually I like working kind of fast, because if you got it, why bother doing it over and over?”

Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.

In my first year at drama school, I did this kids’ show called ‘Let’s See.

I think people deny themselves by putting themselves into categories.

Once in a while it’s good to challenge yourself in a way that’s really daunting.

It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.

Sometimes people do you a favour when they drop out of your life.

I’d been depressed before, of course. But I’m talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I’m talking about the kind of depressed that floats in upon you like a fog.

I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.

It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.

So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!

Working with good people is always good.

Kids are more genuine. When they come up and want to talk to you, they don’t have an agenda. It’s more endearing and less piercing to your aura.

I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.

Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.

The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.

I’m quite good, though I say it myself, at making strangers feel at ease.

I have spent six years in prison, the last six years. Even if I was outside the prison, how much actual space was there for an investigative journalist to do his work in Iran?

You can actually figure out before you work on something how much blood you will have to let emotionally.

Trying to run away from suffering is actually to run toward it.

“Trust me, you don’t want to have to actually interact with these people.”

By getting into distribution and production, I am actually widening my base.

The most important thing a woman can do for another is to illuminate her actual possibilities.

The history of making war with biological weapons begins in mythology, in ancient oral traditions that preserved records of actual events and ideas of the era before the invention of written histories.

The realization of justice is, in the actual state of things, a matter of life or death for society and for civilisation itself.