In the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation.
ALAIN DE BOTTONThe mind does most of its best thinking when we aren’t there. The answers are there in the morning.
More Alain de Botton Quotes
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To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
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How generous was it to offer gifts to people one knew would never accept them?
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Memory is… similar to anticipation: an instrument of simplification and selection.
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A good half of the art of living is resilience.
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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Dreams reveal we never quite get ‘over’ anything: it’s all still in there somewhere.
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We keep a special place in our hearts for people who refuse to be impressed by us.
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The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can’t accept that.
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Only by declaring a book completely finished can one start to see how much remains to be done on it.
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Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.
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Sweetness is the opposite of machismo, which is everywhere-and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.
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Although I don’t believe in God, Bach’s music shows me what a love of God must feel like.
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It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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Unhappiness can stem from having only one perspective to play with.
ALAIN DE BOTTON