“People say releasing an album is like giving birth, but it’s more like having a gallbladder operation.”

Midget wrestling on channel 3, it costs me 50 bucks a month.

I like the guitar-driven music of Nirvana at its peak. At that point, I thought there was a lot of really exciting music coming out.

And then I’ll try and arrange them in a way that they would tell a semi-cohesive story.

I’m a music fan, and I can listen to the radio, or music, without thinking, “How am I going to screw this up?” [Laughs] If I’m really actively trying to think of a parody, then I’ll have my antenna out, and be a little more proactive about it.

If I could find the right kind of property, get tied in with the right movie, I’d love to be involved, but I just find it hard to be motivated to do another screenplay right now.

I have very mixed feelings about it. On one hand, I’m concerned that the rampant downloading of my copyright-protected material over the Internet is severely eating into my album sales and having a decidedly adverse effect on my career.

Then I try to come up with ideas for parodies. And 99% of those ideas are horrible.

When I started out, I didn’t feel like I was really accepted in the music or comedy communities, and I was somewhere on the edge, but now I feel like I’m accepted in both, which is extremely gratifying.

I don’t like to label myself. I know I’m very hard to pigeonhole.

Velvet Elvis never puts on weight.

I think my chances of ever making it into the Rock & Roll Hall Of Fame are about as good as Milli Vanilli’s.

I can’t say enough good things about my band. I feel very fortunate that I found them when I did, very early in my career.

So that’s why one of my rules of parody writing is that it’s gotta be funny regardless of whether you know the source material. It has to work on its own merit.

I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I’m working on them in the studio to possibly playing them onstage for the rest of my life.

That’s a big part of my life – doing things that I’m not prepared to do.

You make me wanna staple bagels to my face, then remove them with a pitchfork.

It takes a lot of people years to turn a negative into a positive. It takes me, like, an album.

What I’m hoping is that every album I’m going to do will give my audience something different, and that they’ll grow as I do.

It’s very hard to be an artist, on my first album, and I’m like asking for money for a music video for every song – it’s so hard to do. You have to pick your battles for sure, but I definitely want – and I’ve always worked to make it all connect – for all of it to feel cohesive.

When I first started writing the album, “Cry Baby” was a song that I really wanted to write because it represented all of these personal insecurities that I had for a long time.

People don’t make albums any more. It’s always about singles. I wanted to take that old-school approach.

Cry Baby wasn’t necessarily a baby theme but I understand what they’re saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.

I’m obsessed with the venue and the people so it’s going to be really fun.The last couple of tours I didn’t have anything like that because of the budget, so I’m super excited because this is really going to bring the album to life.

So like what I want to do is connect all of my albums and make it tell a bigger kind of story. So the first album is very focused on her family life and her love life.