Envy: a confused, tangled guide to one’s own ambitions.
ALAIN DE BOTTONThere is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
More Alain de Botton Quotes
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I passionately believe that’s it’s not just what you say that counts, it’s also how you say it – that the success of your argument critically depends on your manner of presenting it.
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The difference between hope and despair is a different way of telling stories from the same facts.
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Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.
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My writing always came out of a very personal place, out of an attempt to stay sane.
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Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.
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Insomnia is a glamorous term for thoughts you forgot to have in the day.
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It is perhaps sad books that best console us when we are sad.
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The best cure for one’s bad tendencies is to see them in action in another person.
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We should read other people’s books in order to learn what we feel; it is our own thoughts we should be developing, even if it is another writer’s thought that help us to do so.
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Because the rhythm of conversation makes no allowance for dead periods, because the presence of others calls for continuous responses, we are left to regret the inanity of what we say, and the missed opportunity of what we do not.
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Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
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Intuition is unconscious accumulated experience informing judgement in real time.
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We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us.
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How do the stems connect to the roots?’ ‘Where is the mist coming from?’ ‘Why does one tree seem darker than another?’ These questions are implicitly asked and answered in the process of sketching.
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Our disrespect for thinking: someone sitting in a chair, gazing out of a window blankly, always described as ‘doing nothing’.
ALAIN DE BOTTON