Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
ALAIN DE BOTTONThe inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
More Alain de Botton Quotes
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Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
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Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.
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Social media has lots of benefits, but compared to Christianity, it tends to group people by interests. Religion puts you with people who have nothing in common except that you’re human.
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Curiosity might be pictured as being made up of chains of small questions extending outwards, sometimes over huge distances, from a central hub composed of a few blunt, large questions.
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A ‘good job’ can be both practically attractive while still not good enough to devote your entire life to.
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The challenge of modern relationships: how to prove more interesting than the other’s smartphone.
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Forgiveness requires a sense that bad behaviour is a sign of suffering rather than malice.
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A virtuous, ordinary life, striving for wisdom but never far from folly, is achievement enough.
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Getting to the top has an unfortunate tendency to persuade people that the system is OK after all.
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We are all more intelligent than we are capable, and awareness of the insanity of love has never saved anyone from the disease.
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Bad art might be defined as a series of bad choices about what to show and what to leave out.
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There’s a whole category of people who miss out by not allowing themselves to be weird enough.
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When Proust urges us to evaluate the world properly, he repeatedly reminds us of the value of modest scenes.
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Being content is perhaps no less easy than playing the violin well: and requires no less practice.
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If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination.
ALAIN DE BOTTON