A paradox: the same century invented history and photography. But history is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic time; and the photograph is a certain but fugitive testimony.
ROLAND BARTHESTo know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
More Roland Barthes Quotes
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
ROLAND BARTHES -
I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
ROLAND BARTHES -
The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
ROLAND BARTHES -
One must turn the tongue seven times in the mouth before speaking.
ROLAND BARTHES -
Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
ROLAND BARTHES -
The birth of the reader must be at the cost of the death of the Author.
ROLAND BARTHES -
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
ROLAND BARTHES -
Painting can feign reality without having seen it.
ROLAND BARTHES -
Why is it better to last than to burn?
ROLAND BARTHES -
It must always be considered as though spoken by a character in a novel
ROLAND BARTHES -
The book creates meaning, the meaning creates life.
ROLAND BARTHES -
The text is a tissue of quotations drawn from the innumerable centres of culture.
ROLAND BARTHES -
When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
ROLAND BARTHES -
In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
ROLAND BARTHES -
Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
ROLAND BARTHES