On any given Sunday you’re gonna win or you’re gonna lose. The point is — can you win or lose like a man?
AL PACINOI didn’t go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
More Al Pacino Quotes
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It surprised me, the feeling I got when I won the Oscar for ‘Scent of a Woman.’ It was a new feeling. I’d never felt it.
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Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.
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I turned down a lot of films before I made my first one. I knew that it was time for me to get into movies.
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The actor becomes an emotional athlete. The process is painful – my personal life suffers.
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I don’t talk politics and I don’t talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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I’m an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.
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I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.
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All I am is what I’m going after.
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That’s where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that’s what I like. I’ve always felt that’s what I would like to do.
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Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?
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Sometimes they are the same exact thing.
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“What was that, George, what were you doing?” And he said, “They were sleeping.” You’re always trying to catch them.
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There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare’s.
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I do not believe what I see on television. I believe a percentage of it, so it’s hard for me to discern. I don’t like what it’s doing to the world.
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I am a dancer. But I don’t think I would be on ‘Dancing with the Stars,’ mainly because I would be too shy.
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The interesting thing about this is I don’t know what my vision [ in Salome the play and Salomaybe] is yet about.
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Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.
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I put comedy as much as I can into all my movies, if I can help it.
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I’d probably have the same pause if you asked me what my strengths are. Maybe they’re the same thing.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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I believe in one day at a time; you’ve got TODAY, that’s what you’ ve got.
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You don’t get to know anybody in a movie until after it’s over. You work less together in a film than you do onstage.
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I didn’t go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
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[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.
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So I’ve been doing everything that has to do with being next to them, close to them.
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Chekhov was as important to me as anybody as a writer.
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