““To be or not to be is” [by William Shakespeare] beyond anything I can comprehend.”

You’ll never be alone if you’ve got a book.

One of the things that made me want to be an actor more than ever was seeing a Chekhov play, “The Sea Gull,” when was 14 in the Bronx.

We live in a world where the more you’re working, the more things you do. It’s a workaday world.

Drinking and smoking grass were a part of my life as far back as I can remember.

Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.

There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away.

Early on in my career, I remember running – fleeing – to the theater as a way of coping with all the meshugaas that was going on for me.

Women have always had equal importance onstage, and working with them must have altered my sensibilities.

Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There’s a liberation in that.

When my mother got home from work, she would take me to the movies.

My children can make me feel rejected. They can humble you pretty quick.

I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.

I don’t feel like a person who takes risks. Yet there’s something within me that must provoke controversy because I find it wherever I go.

Sometimes what we imagine and the world aren’t different things.

I like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.

People are always asking me to do Shakespeare – at home, at colleges, on film locations, in restaurants. It’s like playing a piece of music, getting all the notes. It’s great therapy.

You remember that my great vision came to me when I was only nine years old, and you have seen that I was not much good for anything until after I had performed the horse dance near the mouth of the Tongue River during my eighteenth summer.

I’m looking for something that gives me a chance to stretch. Because I have my own work, and I can do anything I want in my own work – juggle, tap dance, anything I want.

As far as we’re concerned, there was no sporting organisation [that] should have anything to do with the sport in South Africa.

What I do is make myself this over-the-top character that people either find endearing or they think is a joke. Then I can do anything I want.

I was never geeky about anything.

It’s hard to be an artist. It’s hard to be anything. It’s hard to be.

If I don’t feel right about what I’m in, I don’t feel right about anything.

So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It’s a melodrama.