Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.
AL PACINOEverything changes with age. The parts change with age, your feelings about them change, roles that I would’ve wanted to play 10 years ago, I don’t want to play now.
More Al Pacino Quotes
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I destroy the painting as soon as I can see what it is. When I can make out something in it,
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I personally think if you’re given four months instead of four weeks on a play, with the people who want to work that way.
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Take a look at Israel’s history and you would know who the terrorist is.
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So that you and the audience are giving to each other, in a sense. It’s an extraordinary thing. It’s wild turf up there.
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The thing is doing it, that’s what it’s all about. Not in the results of it. After all what is a risk? It’s a risk not to take risks. Otherwise, you can go stale and repeat yourself.
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I’m not a violent person, never was, but I have this temperament that I’ve always displayed.
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Acting is hard work. At times, it’s very energizing and enervating.
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I’ve been a lavatory attendant, a theatre usher, a panhandler, all for real. Now, as an actor, I can be a journalist today and a brain surgeon tomorrow. That’s the stuff my dreams are made of.
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I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp…Then I’d find another one.
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I am a dancer. But I don’t think I would be on ‘Dancing with the Stars,’ mainly because I would be too shy.
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I could work and get to know him and have him help me with the text, the script and become him. It’s almost like a painter having a model to become.
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Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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I once asked my oldest daughter [Julia Marie] if she thought about changing her name in school and she said, “No, I’m a Pacino. That’s my name.”
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You’re in a conversation and everybody’s agreeing with what you’re saying – even if you say something totally crazy. You need people who can tell you what you don’t want to hear.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they’re not used to?
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