“You’ve got to think of things as an opportunity. An audition’s an opportunity to have an audience.”

I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp…Then I’d find another one.

I haven’t encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way.

That’s where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that’s what I like. I’ve always felt that’s what I would like to do.

When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.

I was watching Revolution, and the things I did in that picture, holy smokes! I can’t believe I did that, it’s like another person. It’s the thought of it, it’s just appalling to me.

I understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.

Shakespeare’s plays are more violent than ‘Scarface.’

The only thing in this world that gives orders is balls.

Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.

The actor becomes an emotional athlete.

I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.

Sometimes you feel critics are wrong all the time, but I don ‘t take objection to it, because that’s the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.

When you perform with a live audience, the audience comes back to you.

Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.

I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.

If you can identify with people, you can empathize with people and therefore you understand things.

I totally heard by chance that they were doing the casting for a James Bond movie, and that one of the auditions was taking place in Paris. So I tried myself to contact every name involved in the movie I could possibly find on the IMDb!

It was a mixed blessing to have famous parents. It was tough to go to auditions and be bad, since I couldn’t be anonymous.

I pretend I’m the producer and I think, “If I was making this movie, would I cast myself in this part?,” and if that doesn’t feel right to me, then I don’t even go audition for it.

I didn’t think I had a voice at all, and I still think of myself as an interpreter of songs more than a singer. I thought it was too deep; people thought I was a man. I had a very strong Jamaican accent, too; the accent really messed me up for auditions.

The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.

I’ve done auditions where the casting director is taking the paper out of my hand in the middle of reading.

It’s weird, but I don’t feel like think I deserve any of the attention. There’s really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?

Amanda Bynes and I have become close since filming ‘Hairspray.’ It’s so weird because I grew up watching her.