Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
ROLAND BARTHESThe lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
More Roland Barthes Quotes
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
ROLAND BARTHES -
In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
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A photograph is always invisible, it is not it that we see.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
ROLAND BARTHES -
One must turn the tongue seven times in the mouth before speaking.
ROLAND BARTHES -
The author enters into his own death, writing begins.
ROLAND BARTHES -
The text is a tissue of quotations drawn from the innumerable centres of culture.
ROLAND BARTHES -
Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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The birth of the reader must be at the cost of the death of the Author.
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I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
ROLAND BARTHES -
There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
ROLAND BARTHES -
The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
ROLAND BARTHES






