I make the other’s absence responsible for my worldliness.
ROLAND BARTHESWhat love lays bare in me is energy.
More Roland Barthes Quotes
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The book creates meaning, the meaning creates life.
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Great portrait photographers are great mythologists.
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The photographic image is a message without a code.
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There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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To make someone wait: the constant prerogative of all power.
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Literature is the question minus the answer.
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How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
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Every photograph is a certificate of presence.
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The author enters into his own death, writing begins.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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We don’t forget, but something vacant settles in us.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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Man does not exist prior to language, either as a species or as an individual.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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Every exploration is an appropriation.
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He who reads a story only once is condemned to read the same story his whole life.
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A picture is never anything but its own plural description.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
ROLAND BARTHES